AFTERLIVES
AFTERLIVES is a multimedia, interactive performance by Miss Theatre (led by Miss Oat) and Henrike Iglesias, staged simultaneously in Bangkok and Berlin. Using the multiverse as narrative device and metaphor, it invites two separated-yet-connected audiences to speculate on queer afterlives, politics of dying, and alternative ways of living together, with smartphones acting as portals linking the two spaces and their audiences.
Credits
Concept, Costume design, Dramaturgy, Digital Interaction, Light Design, Performance, Production Management, Sound design, Stage Design, Text: Leo G. Alonso, Henri Maximilian Jakobs, Pathipon (Miss Oat), Thongchai Pimapunsri, Nicha Puranasamriddhi, Marielle Schavan, Sophia Schroth, Rosa Wernecke Original Concept: Pathipon (Miss Oat), Henrike Iglesias (Leo G. Alonso, Malu Peeters, Marielle Schavan, Sophia Schroth), Anan Fries Collaboration in directing and dramaturgy: Felix Toni Giesler Technical direction, Stage Design Bangkok: Pornpan Arayaveerasid, Rueangrith Suntisuk (DuckUnit) Stage Management Bangkok: Surat Kaewseekarm Graphic design Bangkok: Matus Kaewdum (Cerebrum_art.original) Coding, Creative Technology: bleeptrack Outside eye Berlin: María F. Giacaman Hasbún Production management Berlin: ehrliche arbeit – freies Kulturbüro Press and public relations Berlin: Franziska Janke Translation: Naomi Boyce A production by Henrike Iglesias in co-production with Sophiensæle, brut Wien, FFT Düsseldorf and ROXY Birsfelden. Funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation). Funded by the Beauftragte der Bundesregierung für Kultur und Medien (Federal Government Commissioner for Culture and the Media). Funded by the Berlin Senate Department for Culture and Social Cohesion. Media partners: Berlin Art Link, Missy Magazine, Siegessäule, taz.